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Description and its subject: through the eyes of the observer
Fedrová, Stanislava
The category of beholder as key mediator of the surrounding world (or its image) in an artwork results from confrontation of verbal and visual descriptivity. The paper focuses on the role of beholder and the influence of processes of her perception on the descriptive structure. It seems inevitable to inquire into the ways and devices of transforming the perspective of a character into narratorial discourse or into that of an implied beholder. Concurrently, it is necessary to differentiate between the mode of beholder where emphasize is on perception, and the mode of interpreter, i. e. such apprehension of the world, which employs e. g. pictorial models and cultural/visual concepts intently in order to induce evocation or visualization in readers. The paper examines the assumed “objectivity” or noninterpretative character of description by displaying a variety of observer’s perspectives in description and also in ekphrasis as a specific type of description.
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Description and its subject: through the eyes of the observer
Fedrová, Stanislava
The category of beholder as key mediator of the surrounding world (or its image) in an artwork results from confrontation of verbal and visual descriptivity. The paper focuses on the role of beholder and the influence of processes of her perception on the descriptive structure. It seems inevitable to inquire into the ways and devices of transforming the perspective of a character into narratorial discourse or into that of an implied beholder. Concurrently, it is necessary to differentiate between the mode of beholder where emphasize is on perception, and the mode of interpreter, i. e. such apprehension of the world, which employs e. g. pictorial models and cultural/visual concepts intently in order to induce evocation or visualization in readers. The paper examines the assumed “objectivity” or noninterpretative character of description by displaying a variety of observer’s perspectives in description and also in ekphrasis as a specific type of description.
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Experientiality: does it divide or link description and narration?
Jedličková, Alice
The paper revisits the – in the scholarly discourse for various reasons time and again rejected – differentiation between description and narration arguing in its favour, hoping to illuminate its usefulness in the analyses of both literary narratives and those produced by other media, as well as to pave the way for papers focusing on ekphrasis and its aspects such as temporality, perspectivization and intermedia functions.
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Experiencialita: rozděluje, nebo spojuje popis a vyprávění?
Jedličková, Alice
Příspěvek přehodnocuje – ve vědecké rozpravě z různých důvodů opakovaně odmítané – rozlišování mezi popisem a vyprávěním a uvádí argumenty v jeho prospěch, a to jednak ve snaze ukázat jeho užitečnost v analýzách literárních i jinými médii produkovaných narativů, jednak se záměrem připravit půdu pro další studie sborníku zaměřující se na ekfrázi a její aspekty, jako jsou temporalita, perspektivizace a její intermediální funkce.
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